On night four, Min-joon posted under a different handle: sutures_and_code. He typed a short message, more apology than statement: “Watched all of it. Thank you.” He expected no reply; instead, nightshift_carpenter answered almost immediately: “You found the extra stitch. Thank you for watching.”

“You can’t buy empathy in a cutaway,” Hye-sung said, handing over a new physical disc wrapped in paper. “So I extend the shots where people look at each other.”

They began to exchange messages off-thread, small and careful. The carpenter—real name Hye-sung—wrote that he worked nights in a repair shop, patching furniture and fixing things people thought beyond saving. He collected discarded DVDs from cafes and edited them not for profit but to make them whole again for people who couldn’t watch them live: night workers, parents, those in different time zones. Min-joon told him he had been a doctor once; the confession came out like a cough. Hye-sung replied, “We all have jobs where we repair what’s broken. Mine is wood and lossless codecs.”