Kanto Karaoke supports all multimedia formats : MP3, Mid, Kar, Kfn, Mp3 + Cdg , karaoke videos ( . Avi, .Wmv, .Mp4, etc …) .
Record your voice on the music, sing and record your performance! Mic settings available.
Direct conversion midi to mp3, with or without melody track. High quality sound in output thanks to soundfonts.
Finally a karaoke player that supports all audio and video karaoke formats
At night the platform becomes a ledger of soft lights. 583 glows faint as a ledger number: accountable, patient. Under its roof, the ordinary rearranges into small resistances — phone screens like distant constellations, scarves braided with wind. The train exhales a long, unpunctuated promise and moves on.
A draft of a short prose-poem:
t72 hums under a sky of copper glass, its belly numbered 583 like a secret kept between bolts. It remembers the slow arithmetic of mornings — gears counting out the hush, pistons filing away old storms — and how rain once learned to sleep on its metal ribs.
Passengers come and go like commas, their pockets full of small unfinished sentences. A child traces the digits with a finger: 5 — a cliff; 8 — an infinity swallowed by rust; 3 — a wound healed with silver paint. The conductor nods, a quiet moon of certainty, and the timetable folds itself into the crease of evening.
Between stations, t72 counts what it has carried: a violin asleep inside a paper bag, a letter never sent, two strangers who laughed until the tunnel forgot them. Each stop is a page turned with care, the wheels translating distance into breath.
In the language of departures, t72 speaks plainly: we are all destinations waiting to be reached. And 583, stamped and steady, answers only with a rhythm — a steady suffix to every leave-taking, a metronome for the city’s slow heart.
Free version edition for Windows and MAC users!
At night the platform becomes a ledger of soft lights. 583 glows faint as a ledger number: accountable, patient. Under its roof, the ordinary rearranges into small resistances — phone screens like distant constellations, scarves braided with wind. The train exhales a long, unpunctuated promise and moves on.
A draft of a short prose-poem:
t72 hums under a sky of copper glass, its belly numbered 583 like a secret kept between bolts. It remembers the slow arithmetic of mornings — gears counting out the hush, pistons filing away old storms — and how rain once learned to sleep on its metal ribs. t72 number 583
Passengers come and go like commas, their pockets full of small unfinished sentences. A child traces the digits with a finger: 5 — a cliff; 8 — an infinity swallowed by rust; 3 — a wound healed with silver paint. The conductor nods, a quiet moon of certainty, and the timetable folds itself into the crease of evening. At night the platform becomes a ledger of soft lights
Between stations, t72 counts what it has carried: a violin asleep inside a paper bag, a letter never sent, two strangers who laughed until the tunnel forgot them. Each stop is a page turned with care, the wheels translating distance into breath. The train exhales a long, unpunctuated promise and moves on
In the language of departures, t72 speaks plainly: we are all destinations waiting to be reached. And 583, stamped and steady, answers only with a rhythm — a steady suffix to every leave-taking, a metronome for the city’s slow heart.